“It’s unbelievable what CiRAY can do. It’s extremely compact and still delivers a huge output, leaving nothing to be desired! We were able to offer powerful and homogeneous coverage across the entire festival area. The maximum volume level of 99 dB was kept stable and the system still had plenty of headroom.”

“Each zone had its own story and had different audio requirements. We deployed selected  loudspeakers from the CODA range to match the requirements of the different zones and the response from visitors to the audio was excellent. Everyone was excited by the clarity of the speech, background music and sound effects - the Ferrari media team were very happy to add CODA Audio to the rider for their next show in Thailand.”

“The system delivers powerful and even coverage with consistent tonality between all the loudspeaker models, ensuring smooth acoustic integration. An easy to deploy, efficient and reliable rigging system, combined with a discreet visual presence, helps to preserve the venue’s unique architectural identity. Caf’ Conc’ now enjoys a high-level audio experience, true to CODA Audio’s reputation, which blends perfectly into its distinctive and special atmosphere.”

“The stone construction of this long and narrow venue made the installation challenging but we knew we could rely on CODA Audio. These compact systems have a very ‘natural’ sound characteristic, especially in the treble range, which is really clear and transparent. Customers are always amazed at how visually inconspicuous such a powerful system can be."

“The project’s success was underpinned by the expertise of Roger Drego whose extensive experience and deep understanding of handling audio brands, coupled with our skilled Alphatec team, proved invaluable in overcoming the unique challenges posed by the Birla Auditorium. His guidance was instrumental in navigating the complexities of the project and harnessing the power and precision of CODA Audio. The final result was a transformed audio experience, bringing the historic Birla Auditorium into the modern age of sound reinforcement.”