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“The AFAS Dome is an acoustically challenging space but System Optimiser (CODA’s proprietary prediction software) made it very easy to design the system, make adaptations, and predict coverage accurately. All the predicted data translated very reliably into the real-world application.”

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“When I unmuted the system and the first song was played, the crew just went ‘Wow!’. You can imagine that with more than a hundred mics on the choir, feedback could be quite an issue, but we were able to drive a very high level with amazing clarity and intelligibility and no aggressivity. On my main desk, with all the choirs and classical instruments, there’s no EQ at all - only local - it’s just amazing -  no phase problems, nothing. It’s just so very natural.”

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“This project nicely illustrates how compact designs and high performance can be combined. The system integrates into the architecture whilst at the same time offers the necessary flexibility for a wide variety of event formats - from spoken word presenters to full-scale concerts.”

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“With an immersive audio system, you simply have more ‘space’ in the mix than with a traditional stereo or mono near-field sound system. The audience hears the artists at the position they occupy in the stage - that’s what characterises the immersive 3D listening experience.”