Bühnenmonitore

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“When I unmuted the system and the first song was played, the crew just went ‘Wow!’. You can imagine that with more than a hundred mics on the choir, feedback could be quite an issue, but we were able to drive a very high level with amazing clarity and intelligibility and no aggressivity. On my main desk, with all the choirs and classical instruments, there’s no EQ at all - only local - it’s just amazing -  no phase problems, nothing. It’s just so very natural.”

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“I think the benchmark for this kind of event has been set by CODA Audio. The system sounded exceptional and its compact characteristics made it a dream to work with for the guys setting it up in such a short space of time. Clark Chan’s expertise coupled with System Optimiser’s accuracy and reliability contributed hugely as well. We hope that CODA will be the choice for many more events of this kind at the Taipei Dome.”

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“We only had a maximum of 200-250kg left per loudspeaker flying point, including motor and cables. Under normal circumstances, using another brand, that would not be enough to deliver flawless performance but fortunately our light and powerful CODA systems enabled us to meet the challenge. We were able to hang six ViRAY tops on each of the points.”

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The CODA Audio system easily overcome the challenges presented by KOCA’s low ceiling, both in audio and aesthetic terms.