Open Air

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“Carrying a mix of AiRAY and CiRAY allowed for true scalability between the arenas in mainland Europe and the theatre shows in the UK. The lightweight nature of the CiRAY made it perfect for split systems in theatres such as Edinburgh’s Usher Hall where three hangs were flown from the house advance truss to cover the hard-to-hit upper balcony.”

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“I think the benchmark for this kind of event has been set by CODA Audio. The system sounded exceptional and its compact characteristics made it a dream to work with for the guys setting it up in such a short space of time. Clark Chan’s expertise coupled with System Optimiser’s accuracy and reliability contributed hugely as well. We hope that CODA will be the choice for many more events of this kind at the Taipei Dome.”

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“The response from everyone was overwhelmingly positive. The technicians in attendance were particularly impressed by the SCP subwoofers. Even though we deployed a relatively small number of units for a space that size, the low-end performance was massive. Additionally, observers noted that while the arrays look remarkably compact, the energy and output they deliver were more than enough to fill the entire area.”

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“The venue required the uniform delivery of audio to every seat with outstanding vocal clarity. The CODA system achieves this consistent sound pressure, even in a noisy and dynamic competition environment, ensuring ultra-clear vocal broadcast without noise interference. The arena now possesses a system which is fully adaptable to the needs of sports competitions, large-scale galas, and international performances. It features deep and pure low-frequency sound as well as delicate mid-to-high frequency sound, delivering high-fidelity audio for all types on on-site performances and ceremonies.”