“It’s unbelievable what CiRAY can do. It’s extremely compact and still delivers a huge output, leaving nothing to be desired! We were able to offer powerful and homogeneous coverage across the entire festival area. The maximum volume level of 99 dB was kept stable and the system still had plenty of headroom.”

" At the beginning of December I created a simulation based on city maps and a 3D stage design, and planned the corresponding main, out, near fills and delay hangs. CODA’s proprietary prediction software System Optimiser is essential. It’s an irreplaceable tool for realistically simulating the coverage across the site.”

“When I unmuted the system and the first song was played, the crew just went ‘Wow!’. You can imagine that with more than a hundred mics on the choir, feedback could be quite an issue, but we were able to drive a very high level with amazing clarity and intelligibility and no aggressivity. On my main desk, with all the choirs and classical instruments, there’s no EQ at all - only local - it’s just amazing -  no phase problems, nothing. It’s just so very natural.”

“The project’s success was underpinned by the expertise of Roger Drego whose extensive experience and deep understanding of handling audio brands, coupled with our skilled Alphatec team, proved invaluable in overcoming the unique challenges posed by the Birla Auditorium. His guidance was instrumental in navigating the complexities of the project and harnessing the power and precision of CODA Audio. The final result was a transformed audio experience, bringing the historic Birla Auditorium into the modern age of sound reinforcement.”

"This was our first installation of CODA Audio N-RAY. It was chosen for its fantastic ratio of size to performance, while its ability to provide asymmetrical coverage helped us overcome reflections from the Centre’s walls. The client is very happy indeed with the new system which comfortably meets all the venue’s requirements with headroom to spare."