Theatre Installation

“I selected the CODA Audio N-RAY not only for its sound quality but also its light weight and small size. The ability to accurately control the coverage angle was especially important - the ability to adjust the angles even by 1° can make a really noticeable difference!”

“I think the benchmark for this kind of event has been set by CODA Audio. The system sounded exceptional and its compact characteristics made it a dream to work with for the guys setting it up in such a short space of time. Clark Chan’s expertise coupled with System Optimiser’s accuracy and reliability contributed hugely as well. We hope that CODA will be the choice for many more events of this kind at the Taipei Dome.”

Gotham Hall is an extremely reverberant space, so the highest quality loudspeaker system is imperative. The CODA Audio system was the best choice because it has no distortion, is extremely clear with extended response, and is very phase coherent. The accuracy in frequency response on and off-axis is a major advantage, allowing us to focus the audio on the audience and keep it away from reflective services. It’s quite clearly better than any other system we’ve tried in the room over the last twenty-five years!”

“Carrying a mix of AiRAY and CiRAY allowed for true scalability between the arenas in mainland Europe and the theatre shows in the UK. The lightweight nature of the CiRAY made it perfect for split systems in theatres such as Edinburgh’s Usher Hall where three hangs were flown from the house advance truss to cover the hard-to-hit upper balcony.”

“We only had a maximum of 200-250kg left per loudspeaker flying point, including motor and cables. Under normal circumstances, using another brand, that would not be enough to deliver flawless performance but fortunately our light and powerful CODA systems enabled us to meet the challenge. We were able to hang six ViRAY tops on each of the points.”