Stage Monitor

Client Testimonial...

“When I unmuted the system and the first song was played, the crew just went ‘Wow!’. You can imagine that with more than a hundred mics on the choir, feedback could be quite an issue, but we were able to drive a very high level with amazing clarity and intelligibility and no aggressivity. On my main desk, with all the choirs and classical instruments, there’s no EQ at all - only local - it’s just amazing -  no phase problems, nothing. It’s just so very natural.”

Client Testimonial...

“Carrying a mix of AiRAY and CiRAY allowed for true scalability between the arenas in mainland Europe and the theatre shows in the UK. The lightweight nature of the CiRAY made it perfect for split systems in theatres such as Edinburgh’s Usher Hall where three hangs were flown from the house advance truss to cover the hard-to-hit upper balcony.”

Client Testimonial...

“With all the components in the high and midrange being based on the same driver system, matching the phase response was a piece of cake and ensured even coverage to every corner of the site. The sound performance was exceptional and the slim profile of the AiRAY and ViRAY allowed for minimal impact on the sight-lines.”

Client Testimonial...

Client Testimonial...

“Everyone is just blown away by N-RAY. Expectations in the Church were definitely high - they had been patient with their process of identifying the right choice of system, so it had to be perfect. We were painstaking in our work to make sure that every aspect was spot on, and while it was a challenging job, we have been rewarded with a universal thumbs-up from everyone involved."