Arenen

“I think the benchmark for this kind of event has been set by CODA Audio. The system sounded exceptional and its compact characteristics made it a dream to work with for the guys setting it up in such a short space of time. Clark Chan’s expertise coupled with System Optimiser’s accuracy and reliability contributed hugely as well. We hope that CODA will be the choice for many more events of this kind at the Taipei Dome.”

“Mixing on the CODA Audio system has been consistent, day-to-day, venue-to-venue, with Jimmy’s team commenting very positively on the intelligibility and gain-before-feedback achieved across the tour. The system sounded open and natural so listening was effortless.”

📸 credit Steve Sroka - Adlib.

“The AFAS Dome is an acoustically challenging space but System Optimiser (CODA’s proprietary prediction software) made it very easy to design the system, make adaptations, and predict coverage accurately. All the predicted data translated very reliably into the real-world application.”

“We are very familiar with CODA Audio systems, which are renowned for their high audio fidelity and build. We know from the experience of our rental department that they deliver high output from a small form factor, and their range offers the flexibility and versatility to cover a wide range of applications - perfect for the varied programme at this unique venue.”

“When I unmuted the system and the first song was played, the crew just went ‘Wow!’. You can imagine that with more than a hundred mics on the choir, feedback could be quite an issue, but we were able to drive a very high level with amazing clarity and intelligibility and no aggressivity. On my main desk, with all the choirs and classical instruments, there’s no EQ at all - only local - it’s just amazing -  no phase problems, nothing. It’s just so very natural.”